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Monday, November 26, 2012

Indymedia Ireland Involved in Cover Up Censorship Abortion Cronyism Health Politics



Indymedia Ireland Involved in Cover Up Censorship Abortion Cronyism Health Politics

category international | consumer issues | news report author Monday November 26, 2012 15:29author by BrianClarkeNUJ - AllVoices Report this post to the editors
Systemic Fascist Censorship of Irish Media
The leader of Ireland's parliamentary opposition, Mr Martin said he had been looking for information on the location of the 20 primary care centre sites for months, while it appears the Labour partnership in the Coalition Government was facilitating a cover-up. It would appear their partners in the so called media of the left such as Indymedia Ireland are also involved in censorship, to protect their former Stalinist comrade now private healthcare lobbyist, Gilmore.
Gilmore's Criminal Private Healthcare Buddy
Gilmore's Criminal Private Healthcare Buddy
The leader of Ireland's parliamentary opposition, Mr Martin said he had been looking for information on the location of the 20 primary care centre sites for months, while it appears the Labour partnership in the Coalition Government was facilitating a cover-up.

“It took us some months through the Freedom of Information act to get this very basic information, which I have been asking for in the Dáil for the last number of months, I asked the Tánaiste in the Dáil could he produce and would he publish this documentation immediately and of course they refused. The freedom of information request was delayed for a further month, which really illustrates complete contempt for the Dáil, a blatant lack of transparency and we now know why.”

As reported by The Irish Times of last Saturday, Swords and Balbriggan were added the day before the announcement of the chosen sites, while Ballaghaderreen and Kilkenny were put on the list, just hours before it was announced. Indymedia Ireland are also censoring material related to this cover-up, along with censoring material initially published but later removed, related to the murder in a Galway hospital, of a mother refused an abortion, to save her life. Indymedia Ireland are also involved in massive censorship of matters relating to Marian Price, with the removal of a family statement on the seriously deteriorating health of this political internee.

Ms Shortall who resigned from her post in the Labour coalition on principle, said at the weekend this revelation showed “blatant stroke politics” were behind the decision. Dr Reilly “started off by assisting some of his colleagues and looking after some of his colleagues, and then at the last minute slipping in another four, two of which were in his own constituency.This documentation gives the lie to the many convoluted excuses and justifications that Minister Reilly and his colleagues gave in the Dáil and elsewhere to claim that there was some other criteria used .. other than pure political patronage.”

In October Dr Reilly told the Dáil, that the rationale behind the decision on primary care centres chosen, were made from a list with a “logistical logarithmic progression”. Ms Shortall said the documents demonstrated this justification to be “codswallop”. Likewise the bullscutter on a abortion and the censorshit of Indymedia Ireland relative to Marian Price and Eamon Gilmore, has a distinct whiff of the old sticky, RTE, Brit censorshit contagion. They are a disgraceful example of the sell out of the Irish working class both in parliament and in the Irish media in the closed shop of passes for politics in the clearly unfree Irish state that is compromised to secret dark forces.

The orginal vote of no confindence was called after it was reported that a list of primary care centre sites was altered the evening before its launch to include four new centres, two of which were in Dr Reilly’s constituency. The two centres, located in Swords and Balbriggan, were added to the priority list despite them not being located in the top 30 locations drawn up by the HSE and then minister Róisín Shortall.

Meanwhile Reilly has the neck to insist this morning, that he stood by his actions. "I have made it very clear that I stand over what I did and if I had to do it all again I'd do what I did, there is very clearly a need for primary care centres in all of the locations mentioned." Mr Martin said he had been trying to get this most basic of information on the location of the centres for several months. Provisional Sinn Féin made new calls or Dr Reilly’s resignation with party health spokesman Caoimhghin O Caolain saying Reily's position was untenable following the revelations about the timing of the amendments to the primary care centre priority list. He said the plan needed to be revisited and revised in a publicly accountable way to ensure there was no bias involved in the allocation of the centres."

Eamon Gilmore who has firmly supported Reilly, should also resign immediately, along with all of the agents involved in systematic media censorship in Ireland, of all articles related to the progressive resolution of problems stemming from ignorance in Ireland, as a result of persistent censorship in both the corporate and infiltrated media of Ireland.
Related Link: http://irishblog-irelandblog.blogspot.com/
Tanaiste Eamon Gilmore says he has full faith in Dr James Reilly

An Seanachai Eamon Kelly Aris!


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In My Father's Time
by Mattie Lennon

It was 1959. The National Council for The Blind of Ireland gave my visually impaired mother a wireless. It was our first radio. At the time my contemporaries were clued in to the highlights of Radio Luxemburg and the Light Programme. But, always one to live in the past, I had a preference for the folk programmes on Radio Eireann. My adrenalin was really let loose by the prologue to one in particular:

The rick is thatched
The fields are bare,
Long nights are here again.
The year was fine
But now 'tis time
To hear the ballad-men.
Boul in, boul in and take a chair
Admission here is free,
You're welcome to the Rambling House
To meet the Seanachi.
The Seanachi was, of course, Eamon Kelly.

I was to follow Eamon's stories, on the air, and later in Dublin theatres, through his one-man shows, for decades.

His trademark introduction was: "In My Father's Time" or "Ye're glad I came." In between tales of "The King of England's son" and "The Earl of Baanmore" he would tell his own life-story.

And those who knew his style could always differentiate between the fact and the fiction.

He was born in Rathmore, Co. Kerry, in March 1914. In his autobiographical work "The Apprentice" he tells of how the family moved when he was six months old. He was brought to Carrigeen on Maurice O'Connor's sidecar. (Of course when he'd be wearing his Seanachi's hat he'd tell you he remembered it).

Eamon grew up in a Rambling House and in later life said: " ... my ears were forever cocked for the sound that came on the breeze. It wasn't the Blarney Stone but my father's house which filled me with wonder".

He was only a child when this country gained independence but he had his Kerry ear cocked long before that to accumulate stories such as this: " 'Will I get in this time' the sitting MP said once to one of our neighbours, coming up to polling day. 'Of course you will' the neighbour told him. 'Didn't you say yourself that it was the poor put you in the last time and aren't there twice as many poor there now?' "

Eamon didn't lick his storytelling ability off the ground. He said of his father that he was " ... a friendly person, a good talker. Neighbours and travelers were attracted like moths around a naked flame into his and my mother's kitchen". Their kitchen had " ... all the rude elements of the theatre; the storyteller was there with his comic or tragic tale, we had music, dance, song and costume".

When he left school Eamon became apprentice to his father who was a master carpenter and wheelwright.

The young apprentice missed nothing; seventy years on he could mimic a verbose mason who described how to put a plumb-board against the rising walls to "ascertain their perpendicularity".

He also began taking a correspondence course with Bennett College in England. Then it turned out that the architect of a hotel enlargement project that he was working on was the craftwork teacher at the local Technical School. Eamon enrolled for a night course. The teacher's name was Micheal O' Riada and, in his autobiography, Eamon told how he " ... was the means of changing the direction of my footsteps and putting me on the first mile of a journey that would take me far from my own parish. He taught me and others the craft of wood and in time we passed examinations set by the technical branch of the Department of Education in carpentry, joinery and cabinet making. He taught the theory of building and how to read plans: he taught solid geometry which holds the key to the angles met with in the making of a hip roof or staircase".

No matter how far from home Eamon was working he cycled two nights a week to Tech. He was soon to learn that Micheal O'Riada's interests were not confined to sawing and chiseling. He introduced his pupils to books, writers and the theatre. On the head of this Eamon went to see Louis Dalton's company, at the town hall, in "Juno and the Paycock".

"It was my first time seeing actors on a stage and the humour, the agony and the tragedy of the play touched me to the quick".

He was mesmerized by the actors and " ... their power to draw me away from the real world and almost unhinge my reason long after the curtain had come across".

Micheal O'Riada was impressed with Eamon's reaction to the theatre. He discussed O'Casey, Synge and Lennox Robinson with the young carpenter and advised him if he ever went to Dublin to go to the Abbey Theatre.

Mr. O'Riada also told him that if he kept making headway in his studies and passed the senior grade in the practical and theory papers he would enter him for a scholarship examination, to train as a manual instructor, in Dublin. Since Eamon had left school at fourteen he also had to do additional study in English, Irish and Maths. He passed his scholarship examination, and the interview in Dublin, with flying colours.

He trained and worked as a woodwork teacher for years until he became a full time actor. His first acting role was as Christy Mahon in "The Playboy of the Western World" along with the Listowel actress, Maura O'Sullivan. He would later marry, and spend the rest of his life, with Maura.

They moved to Dublin and Eamon was employed by the Radio Eireann Repertory Players and later by the Abbey Theatre Company. He drew large audiences in villages during the '50s as he traveled around Ireland with his stories. He was to spend more than 40 years as a professional actor. Working with the top actors and leading producers of his day, he performed in New York, London and Moscow.

As a storyteller, his vivid and evocative descriptions are unsurpassed. Whether it was about an emigrant-laden train gathering speed before fading from view at Countess Bridge or sparks flying when the blacksmith struck red hot iron, nobody could tell it like Eamon. Once, in the Brooklyn Academy, while telling one of his famous stories he mentioned an Irish town and drew a graphic word-picture of emigrants at the station. From the audience he heard; "Divine Jesus" and a man crying. Ever the professional, Eamon instantly changed gear, swung to comedy and in seconds had the homesick exile laughing.

Watching him on the stage, the Paps-of-Dana and Dooncorrig Lake almost materialized around you. There was a temptation to look up for the rising ground above Barradov Bridge.

In the Peacock Theatre in the 1980s, you were standing beside the young Eamon Kelly as he made a Tusk Tenon at the workbench beside his father or walked barefoot on the submerged stepping-stones with his first-love, Judy Scanlon.

As Anette Bishop described it in the Irish American Post:
"It's a case of the past returning to raise a charming blush on the cheek of the present". Everything Eamon Kelly did was tried, tested and honed to perfection. And he always expressed appreciation of the crafts, skills and talents of others. "The correct actions of a craftsman sawing, planning or mortising with the chisel were as fluid as those of an expert hurler on the playing field".

When rehearsing for Seamus Murphy's "Stone Mad", which he adapted as a one-man show, he spent days observing stonecutters at a quarry in the Dublin mountains. In the course of the show he "lettered" a stone on stage.

With little or no interest in money himself, he was always on the side of the underdog and the marginalized. He was playing S.B. O' Donnell in "Philadelphia Here I Come" on Broadway, in January 1972, when he heard the tragic news of Bloody Sunday. There and then he decided to play his part in trying to rectify man's inhumanity; he became a vegetarian.

Eamon was shy, by nature. And even in his eighties he would be, by far, the most nervous artist backstage. This was because he was a perfectionist. A year before he died I saw him in a hotel about to do a piece he had performed hundreds of times. With the utmost humility he asked a staff member about facilities to do a last minute rehearsal: "Do you have anywhere where I could talk to myself for a while?"

While the great storyteller won't ever again stand on a stage or sit by the fire of a rambling house, his voice lives on. Rego Irish Records have brought out a video "Stories of Ireland, as told by Eamon Kelly" and a cassette "Eamon Kelly, the Irish Storyteller". (You'll find Rego Records at http://www.regorecords.com)

Kerryman, Brendan O'Shea (O'Sheas Tailoring, Lower Gardiner Street, Dublin) told me the following story:

At the end of September 2001, Eamon Kelly brought a suit in to Brendan for some alterations. The suit was fifteen years old. Prior to one of his trips to America, Eamon had it made by another Dublin tailor who left the jacket minus an inside pocket and the trousers without belt-loops or a back-pocket. Now, Eamon, the perfectionist, asked his fellow-Kerryman to rectify the sartorial omissions, which he did.

When Eamon died on 24th October 2001, he had left detailed instructions with his wife, Maura, about the funeral arrangements and which suit he wanted to be laid out in. Yes, you've guessed it!

Did the man who wrote so lovingly of Con-the-tailor, who made his first Communion suit, and who had portrayed an unforgettable tailor in "The Tailor and Ansty" want to somehow, bring the work of a Kerry tailor out of this world with him? I don't know. And neither does Brendan O'Shea.

As his coffin left the church, the Congregation gave a round of applause. The show was over and this time there was no encore. The final curtain had fallen on a one-man show, performed by a man of many parts. Actor, storyteller and writer, loving husband, devoted father and great Kerryman.

Shortly before his death, while lecturing North American Literature and Theatre students in the art of storytelling, he said: "My journeying is over. If the humour takes me, I may appear in some Alhambra, where angels with folded wings will sit in the stalls, applaud politely and maybe come round after and say;' that was great' ".

As he walked into that great Rambling House in the sky, can't you imagine the opening line?: "Ye're glad I came".

NOTE: Our thanks to Mattie for his contribution; if you'd like to read more of his stories, you'll find them on his website, please click Mattie Lennon.

BIO:
Mattie Lennon was born in the first half of the last century at Kylebeg, Lacken, Blessington, Co. Wicklow. He was not at any stage called "the black sheep of the family" mainly because he was (and is) an only child. He spent the first 25 years of his life at home on a small farm. He claims to identify with Patrick Kavanagh's "burgled bank of youth" (and says he is one of the few of his generation who knows how to make a bush-harrow). As a young fellow whenever he was blamed in the wrong he would compose a derogatory ballad about his accuser. There weren't many false accusations so he wasn't very prolific.

He was nicknamed "the Poet" but emphasises that the term wasn't always complimentary. He agrees that what is said behind ones back is their standing in the community and his favourite quotation is a comment made about him by a neighbour: "Wouldn't you think someone would tell him he's an eejit, when he doesn't know himself".

He has spent most of the last thirty years in Dublin but when asked "Will you ever go back to Kylebeg"? the answer is always Joycean. When James Joyce was asked, in Trieste; "Will you ever return to Dublin?" he said; "I never left".

Mattie Lennon has written articles (mostly humorous) for The Sunday Independent, The Irish Times, The Irish Post, Irelands Own, Irelands Eye, Kerry's Eye, The Wicklow People, The Leinster Leader as well as numerous on-line publications. He claims that he was once told; "You have the perfect face for radio" and he compiled and presented his own programmes in the "Voiceover" series on RTE Radio One. He has presented ballad programmes on KIC FM and is currently doing a Saturday morning ballad show at 11.03AM, on Liffey Sound 96.4 FM. (You can listen to it on the Net. Go to www.liffeysound.com and follow the links)
He also does pre-recorded programmes for other stations. One such programme is "The Story And The Song" in which he plays a number of ballads, having first told the story behind each one.
In 2005 his One Act Play, “A Wolf By The Ears” got a public reading in Teac Siamsa, Tralee.
In 2006 he produced a DVD ,”Sunrise On The Wicklow Hills” and compiled a book of Dublin Bus-workers writings, “There’s Love And There’s Sex And There’s The 46A ”.
He was in the final of the “Eamon Kelly Story–telling Competition” at Listowel Writer’s Week in 2007.
Most years since 2000 he has been in the final of the Sean McCarthy Ballad Competition in Finuge. He still writes the occasional ballad (not all of them fit for human consumption).

Thu, Nov 15, 2012
The Islands
There are hundreds of islands around the Irish coast. Achill is the biggest, the Arans the most romantic; Skellig Michael the most dramatic and Tory the most menacing - at least in legend. The Blaskets offer the most fertile ground for literature and Clare island is the most meticulously studied. But, whichever island you may visit, you can be sure each of them has its own superlative. For example, Little Skellig off St. Finian's Bay in Co. Kerry, is known for its gigantic colony of white seabirds called gannets.
Content edited and adapted from the book "Ireland - Atmosphere & Impressions" by Dr. Christopher Moriarty.
Photo Credits:
Skellig Archway from Travel Publishing

Click for More Culture Corner.




According to Custom
by Eamon Kelly
One of the most common sources for Bridget's articles and comments. A rich store of, what else, Irish customs. Eamon Kelly has written many books and told countless stories; fascinating reading and filled to the brim with the world of Irish history and tradition.Click here for According to Custom.




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Petraeus Sex Scandal






Tom Barry, a former General in the IRA, talking about the need of a British withdrawl from the occupied 6 counties to secure a lasting settlement. 

In the early 70's Barry discussed tactics with IRA men including Joe Cahill who said -

"He wasnt an armchair general, he was a military genius. In the conflict he led by example. Throughout the decades, the goal of a united Ireland in his lifetime was his greatest wish. Not all that long before he died, I met him. He had one desire, he said. If he had the energy, he would love to get some men together and have another go at the British establishment, to see could he achieve his aim"





Petraeus Sex Scandal Covers More Shocking Story

By Barry Sheppard

November 25, 2012 "
Information Clearing House" - San Francisco -  The capitalist press has been overloaded with the sex scandal of General David Petraeus, former commander US troops in Iraq and Afghanistan, and his resignation as head of the CIA.
The story has morphed into something wider, drawing in other high officers.
I’ll return to the saga of the “Real Housewives of the High Command” below, but first I want to discuss a story that has received only scant attention, about one of the grunts who was on the ground in Afghanistan.
Staff Sergeant Dwight L Smith was on Christmas leave last year, and returned home to his family for the holidays. He went out jogging, when he says “something clicked”.
He went back home and got into his Hummer. He decided to kill someone, he later told police. He ran down a 65-year-old woman, Marsha Lee, at random. Witnesses saw him get out of his vehicle, and pick up Lee, injured and screaming, and threw her into the back seat.
Her naked body was found discarded in a wooded area half a mile away. Her head was bashed in with a heavy object. She had been raped.
Then he returned home. His mother said he seemed relatively normal, and they went Christmas shopping that afternoon. He was arrested that evening after police found his bloody Hummer.
Smith’s parents did previously notice his outbursts of anger, throwing laptops, and punching holes in the walls. “I know my child,” his father said. “This isn’t my kid. He was a goofy kid. This isn’t the same man that I sent over.”
What transformed this “goofy kid” into a monster? Two related things.
One was that he suffered a severe concussion in the war. Estimates are that 500,000 US soldiers have suffered concussions and other brain injuries in the wars of aggression against Iraq and Afghanistan.
Stephen Xenakis, a psychiatrtist and retired brigadier general told a New York Times reporter that the army has failed to treat soldiers who have been exposed to blasts. He compares the situation to the runaround soldiers were given for decades about damage from Agent Orange in Vietnam.
The capitalist politicians and military brass do not want to admit the scope of the problem. They want to keep a sanitised image of these wars before the public.
They are fearful that if the public knew the full truth, these wars would become even more unpopular than they already are. That is why they do not help returning soldiers with brain injuries, post-traumatic stress disorder, unemployment, and other problems, to anywhere near the extent of the problems these soldiers face needed.
The result is soldiers running amok (Smith is far from the only one), suicides, depression and other mental problems going untreated. The soldiers are cannon fodder, to use an old expression.
The other thing that transformed Smith is expressed in a letter to his father: “I’m going to be honest with you dad. I have killed a lot of men and children. Some that didn’t even do anything for me to kill them. Also some that begged for mercy.
“I have a problem. I think I got addicted to killing people. I could kill someone go to sleep wake up and forget that it ever happened. It got normal for me to be that way. I never wanted to be this way. I just took my job way too serious. I took things to the extreme.
“Anyone can tell you that I changed. It’s like being a completely different person.”
He did not mention the women he killed, probably out of shame. It is significant that he chose a woman to murder.
His story, while an extreme example, illustrates a truth about wars of occupation. Even if the US soldiers are greeted as “liberators” from an oppressive regime at first (and the idea that they were to be greeted in Iraq and Afghanistan by hugs and kisses and flowers was always a fantasy), the reality soon sets in.
The occupiers become hated by the occupied. The war becomes a war against a people. Resistance grows within the people. They begin to fight the occupiers. The occupiers cannot trust the people, and soon must start kicking down doors to find the “enemy”.
As the “enemy” increasingly is the people, it includes not only men but women and children too. Soon the occupiers are taking part in atrocities. Some go to extremes, while others are just part of regular “search and destroy” missions.
I am reminded of what a soldier told me in 1968 in Vietnam. I accompanied the Socialist Workers Party presidential candidate, Fred Halstead, to Vietnam to talk to the soldiers on the ground about the war.
One soldier, who was fiercely against the war, was anguished. He said when he was in firefights, sometimes women and even children would pull out weapons and open fire on US soldiers. They shot the women and children.
Killing ordinary Iraqis and Afghans, including women and children, and other acts of oppression, affects the mental health of the soldiers.
The politicians and the brass do not want these truths to get out, either.
The fact that Smith suffered a bad concussion and had become inured to killing men, women and children are related.
The resistance fighters do not have tanks, helicopters and jet bombers. They have small arms, including mortars, rocket-propelled grenades and homemade bombs (IEDs in army-speak). In other words, with explosives at short range, that cause concussions.
To turn to the opposite end of the military hierarchy, what do we learn from the Petraeus scandal?
A not-so-minor point is that the whole thing began with what is called a “socialite”, Jill Kelley, who is a friend of Petraeus and others in the high command, informing a friend in the FBI that a woman who turned out to be Petraeus’s mistress, had sent her emails she found to be harassing.
That the FBI agent could then launch highly invasive surveillance of Petraeus’ emails raises the obvious question: if such could be done to the head of the CIA, what about us mere mortals?
I will leave aside the salacious use the media have made of the affair, including the innuendo that the mistress used her wiles to bring down the poor honorable general, a tale that goes back to Adam and Eve.
No one in the media talks about Petraeus’s part in carrying out the huge war crimes of the invasions of Iraq and Afghanistan.
What has been exposed is that for years, the Kelleys have been regularly throwing lavish parties not only for Petraeus, but many other top generals. Champagne, caviar, cavorting with socialites — that is how the high command amuses itself while the Sergeant Smiths get blasted by mortars and kill Iraqi and Afghan men, women and children.
Barry Sheppard was a long-time leader of the US Socialist Workers Party and the Fourth International. He recounts his experience in the SWP in a two-volume book, The Party — the Socialist Workers Party 1960-1988, available fromResistance Books. R
This article was originally posted at Green Left Weekly